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As you can draw diagrams in github, I thought I'd have a go at describing how the Gallery Monitor SoundWeb setup could be. I've left out a the switches and volume controls for simplicity for now...
We should try inverting the signal from the mic, adding it to the return from the comms and see if that works to get a good mix-minus. Obviously it won't be perfect - any phase errors and distortion will come through the speakers, but hopefully it will not be too bad. It depends on the internals of the comms system.
flowchart LR
subgraph Inputs
mic((Mic))
comms_return((Comms<br>Return))
program((Program))
end
mic --> presenter_ears;
mic --> comms_send;
mic --> invert;
invert --> mix;
comms_return --> mix;
mix --> speakers;
program --> mix;
subgraph Outputs
presenter_ears((Presenter<br>Ears))
comms_send((Comms<br>send))
speakers((Local<br>Monitors))
end
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We could also add ducking of the output when comms comes in. This would also duck when the director speaks into the local microphone, which may or may not be a good thing...
flowchart LR
subgraph Inputs
mic((Mic))
comms_return((Comms<br>Return))
program((Program))
end
mic --> presenter_ears;
mic --> comms_send;
mic --> invert;
invert --> mix;
comms_return --> mix;
mix --> speakers;
comms_return -->|key| program_ducking;
program --> program_ducking[Program<br>ducking];
program_ducking --> mix;
subgraph Outputs
presenter_ears((Presenter<br>Ears))
comms_send((Comms<br>send))
speakers((Local<br>Monitors))
end
Loading
To avoid ducking when the local microphone is used, we could separate the mixes:
flowchart LR
subgraph Inputs
mic((Mic))
comms_return((Comms<br>Return))
program((Program))
end
mic --> presenter_ears;
mic --> comms_send;
mic --> invert;
invert --> mix;
comms_return --> mix;
mix2 --> speakers;
program --> program_ducking[Program<br>ducking];
mix --> mix2;
mix -->|key| program_ducking;
program_ducking --> mix2;
subgraph Outputs
presenter_ears((Presenter<br>Ears))
comms_send((Comms<br>send))
speakers((Local<br>Monitors))
end
Loading
If inverting doesn't work, then we have to stick with ducking to stop hearing ourselves back in the control room, which would lead to the following:
flowchart LR
subgraph Inputs
mic((Mic))
comms_return((Comms<br>Return))
program((Program))
end
mic --> presenter_ears;
mic --> comms_send;
mic -->|key| comms_ducking;
comms_return --> comms_ducking[Comms<br>ducking];
comms_ducking --> mix;
mix --> speakers;
program --> program_ducking[Program<br>ducking];
comms_ducking -->|key| program_ducking;
program_ducking --> mix;
subgraph Outputs
presenter_ears((Presenter<br>Ears))
comms_send((Comms<br>send))
speakers((Local<br>Monitors))
end
Loading
The text was updated successfully, but these errors were encountered:
As you can draw diagrams in github, I thought I'd have a go at describing how the Gallery Monitor SoundWeb setup could be. I've left out a the switches and volume controls for simplicity for now...
We should try inverting the signal from the mic, adding it to the return from the comms and see if that works to get a good mix-minus. Obviously it won't be perfect - any phase errors and distortion will come through the speakers, but hopefully it will not be too bad. It depends on the internals of the comms system.
We could also add ducking of the output when comms comes in. This would also duck when the director speaks into the local microphone, which may or may not be a good thing...
To avoid ducking when the local microphone is used, we could separate the mixes:
If inverting doesn't work, then we have to stick with ducking to stop hearing ourselves back in the control room, which would lead to the following:
The text was updated successfully, but these errors were encountered: