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\documentclass{sigplanconf} | ||
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\usepackage{url} | ||
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\begin{document} | ||
\toappear | ||
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\special{papersize=8.5in,11in} | ||
\setlength{\pdfpageheight}{\paperheight} | ||
\setlength{\pdfpagewidth}{\paperwidth} | ||
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% Uncomment the publication rights you want to use. | ||
%\publicationrights{transferred} | ||
%\publicationrights{licensed} % this is the default | ||
%\publicationrights{author-pays} | ||
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\title{FARM 2016 Demo Summary} | ||
\subtitle{4th ACM SIGPLAN International Workshop on \\ Functional Art, Music, Modelling and Design} | ||
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\authorinfo{Michael Sperber} | ||
{Active Group GmbH} | ||
{\url{[email protected]}} | ||
\authorinfo{David Janin} | ||
{Bordeaux INP, Bordeaux University} | ||
{\url{[email protected]}} | ||
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\maketitle | ||
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\begin{abstract} | ||
This is a summary of the demos presented at the 4th ACM SIGPLAN | ||
International Workshop on Functional Art, Music, Modelling and | ||
Design, prepared prior to the event itself. The submitted abstracts | ||
of these demos are available on the FARM 2016 web site at | ||
\url{http://functional-art.org/2016/}. | ||
\end{abstract} | ||
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\category{J.5}{Arts and Humanities}{Arts, fine and performing} | ||
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\section{Juniper: A Functional Reactive Programming Language for the Arduino} | ||
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Caleb Helbling and Samuel Guyer | ||
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FIXME | ||
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\section{Klangmeister} | ||
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Chris Ford (ThoughtWorks) presents \textit{Klangmeister}, a live | ||
coding environment for music. Klangmeister lets the user construct | ||
synthesizers, compose music, and finally perform that music. | ||
Klangmeister runs in the browser and thus does not require the | ||
explicit installation of software. It makes use of the Javascript Web | ||
Audio API. | ||
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Music is coded using ClojureScript, a dialect of Clojure that | ||
compiles to JavaScript. Klangmeister makes use of a version of the | ||
embedded version of ClojureScript compiler, which also runs in the | ||
browser. | ||
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Klangmeister's wrapper around the Web Audio API is purefly functional, | ||
and makes synthesis design clear and accessible: Music-theoretical | ||
concepts such as scales and time signatures translate into | ||
higher-order functions. | ||
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\section{VoxelCAD, a Collaborative Voxel-Based CAD tool} | ||
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Csongor Kiss and Toby Shaw present \textit{VoxelCAD}, a tool for | ||
collaboratively editing vector representations of 3D shapes, giving | ||
immediate feedback about the resulting voxel forms. | ||
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VoxelCAD enables collaborative editing by storing delta changes, which | ||
can be synchronized, similarly to the Darcs distributed versioning | ||
system. VoxelCAD also includes a Lisp-like scripting language. | ||
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VoxelCAD uses Constructive Solid Geometry as its user-facing model: | ||
The user can combine primitive solids through boolean operations. | ||
Voxelisation---the conversion between the shapes vector representation | ||
and its voxel for---is mostly done on the GPU, using the WebGL API. | ||
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VoxelCAD consists of two parts: The frontend is written in Elm, the | ||
backend in Haskell. | ||
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\section{Alda: A Text-Based Music Composition Language} | ||
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Dave Yarwood presents \textit{Alda}, a programming language that | ||
allows representing musical composition as text documents. It draws | ||
ideas from several previous systems---Music Macro Language (MML), | ||
LilyPond, and ChucK. | ||
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Alda views a musical score as a series of transformations on Clojure | ||
maps. The Alda parser generates these transformations from the input | ||
score. | ||
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Alda is written in Clojure, and embeds the language in the musical | ||
notation. It thus allows generating compositions programmatically. | ||
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\section{Epimorphism} | ||
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Francis Shuman presents \textit{Epimorphism}, a visual art project that | ||
generates images by simulating video feedback. The simulation does | ||
not have to suffer from the fidelity problem of a real-world physical | ||
setup, which opens new visual possibilities. | ||
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The system can be seeded from arbitrary shapes and textures. Complex | ||
transformations such as those borrowed from the computation of | ||
Mandelbrot and Julia sets lead to a fractal appearance of many of the | ||
generated images. | ||
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Epimorphism is written in PureScript, a dialect of Haskell that | ||
translates to JavaScript. | ||
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\end{document} |
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