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{ | ||
[ | ||
[ | ||
{ | ||
"presenter": "Jacek Iwaszko", | ||
"affiliation": "The Fryderyk Chopin Institute", | ||
"title": "Chopin Heritage in Open Access", | ||
"abstract": "", | ||
"time": "2024-10-23 12:00:00", | ||
"time": "2024-10-23 12:00:00" | ||
}, | ||
{ | ||
"presenter": "Marcin Konik", | ||
"affiliation": "The Fryderyk Chopin Institute", | ||
"title": "Polish Music Heritage in Open Access", | ||
"abstract": "", | ||
"time": "2024-10-23 12:30:00", | ||
"time": "2024-10-23 12:30:00" | ||
}, | ||
{ | ||
"presenter": "Peter van Kranenburg", | ||
"affiliation": "", | ||
"title": "", | ||
"abstract": "", | ||
"time": "2024-10-24 11:00:00", | ||
"time": "2024-10-24 11:00:00" | ||
}, | ||
{ | ||
"presenter": "Ewa Dahlig-Turek(1) & Craig Stuart Sapp(2)", | ||
"affiliation": "(1) The Institute of Art of the Polish Academy of Sciences, Warsaw, (2) CCARH/PHI/Stanford University, California, USA", | ||
"title": "Digitalisation of musical notations from Oskar Kolberg's Complete Works as an example of technological development of national cultural resources", | ||
"abstract": "", | ||
"time": "2024-10-24 12:00:00", | ||
"time": "2024-10-24 12:00:00" | ||
}, | ||
{ | ||
"presenter": "Anna Matuszewska", | ||
"affiliation": "The Institute of Art of the Polish Academy of Sciences, Warsaw", | ||
"title": "Bridging Traditional Musicology and Digital Methods. Case study: Interactive Diagrammatic Analysis of Music-Text Corpora", | ||
"abstract": "", | ||
"time": "2024-10-24 12:30:00", | ||
"time": "2024-10-24 12:30:00" | ||
}, | ||
{ | ||
"presenter": "Emiliano Ricciardi", | ||
"affiliation": "", | ||
"title": "", | ||
"abstract": "", | ||
"time": "2024-10-25 10:00:00", | ||
"time": "2024-10-25 10:00:00" | ||
}, | ||
{ | ||
"presenter": "Benjamin Ory", | ||
"affiliation": "Villa I Tatti, Harvard University", | ||
"title": "Elucidating a Shift in Musical Style using Digital Tools", | ||
"abstract": "", | ||
"time": "2024-10-25 10:00:00", | ||
"time": "2024-10-25 10:00:00" | ||
}, | ||
{ | ||
"presenter": "Jesse Rodin", | ||
"affiliation": "Stanford University", | ||
"title": "Digital Tools and Musical Understanding", | ||
"abstract": "", | ||
"time": "2024-10-25 10:30:00", | ||
"time": "2024-10-25 10:30:00" | ||
}, | ||
{ | ||
"presenter": "Jason Yin Hei Lee", | ||
"affiliation": "McGill University, Montréal, Canada", | ||
"title": "Tone-Melody Correspondence and Melodic Regression in Cantonese Popular Music: Evidence from a Corpus Study", | ||
"abstract": "", | ||
"time": "2024-10-25 12:00:00", | ||
"time": "2024-10-25 12:00:00" | ||
}, | ||
{ | ||
"presenter": "Bryan Jacob Bell", | ||
"affiliation": "University of British Columbia, Canada", | ||
"title": "Interfacing Digital Musicology with Music Theory: A Case Study in the Mysterium Corpus", | ||
"abstract": "", | ||
"time": "2024-10-25 12:30:00", | ||
}, | ||
"time": "2024-10-25 12:30:00" | ||
} | ||
|
||
] | ||
} |